- A Lamp to Illuminate the Five Stages
 - Cover
 - Title
 - Contents
 - General Editor’s Preface
 - Translator’s Introduction
 - Technical Note
 - A Lamp to Illuminate the Five Stages: Core Teachings on the Glorious Guhyasamāja, King of Tantras
 - Part 1. Divisions of Highest Yoga Tantra
 - 2. The Two Types of Tantra
 - 3. Specific Explanation of Guhyasamāja Method Tantra
 - 4. Praise of Guhyasamāja
 - 5. Commentarial Traditions
 - Part 2. The Path of Guhyasamāja
 - 6. Training in the Guhyasamāja
 - 7. The Two Stages
 - 8. Explanation of Evāṃ and of Bliss and Emptiness
 - 9. The Necessity of Penetrating Vital Points on the Body
 - Part 3. The Divisions of the Completion Stage
 - Part 4. Body Isolation
 - 12. Identifying Body Isolation
 - 13. Types of Body Isolation
 - 14. How Body Isolation Is Incorporated into the Six Yogas
 - 15. The Practice of Body Isolation
 - Part 5. Speech Isolation
 - 16. Identifying Speech Isolation
 - 17. Divisions, Functions, and Movement of the Winds
 - 18. Significance of the Mantras
 - 19. Prāṇāyāma Meditations 267
 - 20. Vajra Repetition
 - 21. Experiences in Prāṇāyāma Meditation
 - Part 6. Mind Isolation
 - Part 7. The Conventional-Truth Illusory Body
 - 24. Gaining Instructions on the Illusory Body
 - 25. Methods of Attaining the Illusory Body
 - 26. The Mixings
 - Part 8. The Ultimate-Truth Clear Light
 - 27. Stages of Attainment
 - 28. The Outer and Inner Mastery
 - 29. The Two Meditative Absorptions
 - 30. How the Path of Tantra Must Occur on the Sutra Path
 - 31. How Clear Light Is Incorporated into the Six Yogas
 - Part 9. The Stage of Union
 - Part 10. Tantric Activities
 - 34. General Presentation of Activities
 - 35. Highest Yoga Tantra Activities
 - 36. Rituals for the Three Activities
 - 37. The Attainment of Complete Enlightenment
 - Colophon and Dedication
 - Table of Tibetan Transliteration
 - Notes
 - Glossary
 - Bibliography
 - Index
 - About the Contributors
 - The Institute of Tibetan Classics
 - The Library of Tibetan Classics
 - Become a Benefactor of the Library of Tibetan Classics
 - Copyright
 
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