- The Hidden Lamp
- Cover Page
- Title Page
- Table of Contents
- Foreword
- Introduction
- Suggestions for How to Practice with The Hidden Lamp
- I. Clapping Her Hands and Laughing: Stories of Seeking and Awakening
- 1. The Old Woman of Mount Wutai
- 2. Anoja Seeks the Self
- 3. Joko Beck and the Thought of Enlightenment
- 4. The Old Woman and the Pure Land
- 5. Manseong’s No Cultivation
- 6. Bhadda-Kundalakesa Cannot Answer
- 7. Chiyono’s No Water, No Moon
- 8. Ohashi Awakens in a Brothel
- 9. Seven Wise Women in the Charnel Grounds
- 10. Asan’s Rooster
- 11. The Old Woman’s Enlightenment
- 12. Qiyuan Gives Birth
- 13. Chen’s Mountain Flowers
- 14. Ganji’s Family
- 15. The Woman Lets It Be
- 16. Awakening While Cooking
- 17. The Woman in Samadhi
- 18. Yu Uses Her Full Strength
- 19. The Flower Hall on Buddha’s Birthday
- 20. Sonin’s Shadeless Tree
- 21. Linji Meets the Old Woman Driving the Ox
- 22. Jiyu-Kennett’s Not Bigger, Not Smaller
- 23. Jiaoan’s Sand in the Eye
- 24. Punnika and the Brahman’s Purification
- 25. Nyozen’s Pale Moon of Dawn
- II. Bring Me a Mustard Seed: Being Human
- 26. The Old Woman Burns Down the Hermitage
- 27. Zhaozhou’s Deeply Secret Mind
- 28. Miaozong’s Dharma Interview
- 29. Zhaozhou and the Old Woman’s Obstacles
- 30. Eshun’s Deep Thing
- 31. Ryonen Scars Her Face
- 32. Vasumitra Teaches Freedom from Passion
- 33. Zongchi and Bodhidharma’s Flesh
- 34. The Zen Mirror of Tokeiji
- 35. Yoshihime’s “Look, Look!”
- 36. The Old Woman, Zhaozhou, and the Tiger
- 37. Shotaku’s Paper Sword
- 38. Dipa Ma’s Fearless Daughters
- 39. Maylie Scott Meets Loneliness
- 40. Yasodhara’s Path
- 41. Bhadda Kapilani and Mahakassapa
- 42. Ikkyu and Kannon’s Messenger
- 43. Senjo and Her Soul Are Separated
- 44. Iron Grindstone Liu’s Feast
- 45. The Old Woman Recognizes Mazu
- 46. Satsujo Overthrows Hakuin
- 47. The Old Woman Steals Zhaozhou’s Bamboo Shoots
- 48. The Old Woman’s Relatives
- 49. Kisagotami’s Mustard Seed
- 50. Satsujo Weeps
- 51. Ziyong’s Last Teaching
- 52. Lingzhao Goes Firstès
- 53. Yuanji Knocks the Body Down
- 54. Anne Aitken’s “Get On and Go”
- 55. Permanence and Impermanence
- 56. Patacara’s Presence of Mind
- 57. Asan’s Dewdrop
- III. Why Do You Call Yourself a Woman? Words in the Midst of Wordlessness
- 58. The Goddess’s Transformations
- 59. Soma Rebukes Mara
- 60. Ziyong’s Ship of Compassion
- 61. Tara’s Vow
- 62. Dogen Sets the Record Straight
- 63. Mahapajapati Opens the Door
- 64. Changjingjin’s No Obstructions
- 65. Moshan’s Mountain Summit
- 66. Miaozong’s Disappointment
- 67. The Naga Princess’s Enlightenment
- 68. Ziyong’s Earth
- 69. Kongshi’s Bathhouse
- 70. Asan Claps Both Hands
- 71. Dongshan and the Old Woman’s Water Buckets
- 72. Satsujo Sits on the Lotus Sutra
- 73. The Old Woman’s Rice Cakes
- 74. Ling’s Question
- 75. Kakuzan Shido’s Dagger
- 76. The Old Woman and Naropa
- 77. Lingzhao’s Shining Grasses
- 78. Qiyuan and the Lotus Sutra
- 79. Dieu Nhan’s Without Words
- 80. Shiji Doesn’t Take Off Her Hat
- 81. Miaodao’s Falling into the Hole
- 82. Miaoxin’s Banner
- IV. I Saw You Fall Down So I’m Helping: The Path of Practice
- 83. Lingzhao’s Helping
- 84. Faxiang’s Recognition
- 85. Sujata’s Offering
- 86. Laywoman Pang’s Merit
- 87. Punna’s Offering
- 88. Khujjuttara Teaches the Dharma
- 89. The Old Woman’s Miraculous Powers
- 90. Bhikkhuni Kabilsingh Keeps the Precepts
- 91. Uppalavana and the Precepts
- 92. Dipa Ma and the Thief
- 93. The Goddess and the Flowers
- 94. Sona’s Mother and the Thieves
- 95. Songyong Doesn’t Undress
- 96. Maurine Stuart’s Whack
- 97. Fish-Basket Kuan Yin
- 98. The Old Woman and the Fire Poker
- 99. Let’s Become Enlightened Together
- 100. Darlene Cohen’s Skillful Means
- Acknowledgments
- Glossary and Background Information
- Sources and Translations of Koans
- Permissions and Copyrights
- Bibliography
- About the Contributors
- Index
- About the Editors
- Also Available from Wisdom Publications
- Copyright
1. The Old Woman of Mount Wutai
CHINA, NINTH CENTURY
AN OLD WOMAN lived on the road to Mount Wutai. A monk on pilgrimage asked her, “Which is the way to Mount Wutai?” The old woman said, “Right straight ahead.”
The monk took a few steps, and she said, “He’s a good monk, but off he goes, just like the others.” Monks came one after another; they’d ask the same question and receive the same answer.
Later, a monk told Master Zhaozhou Congshen what had happened and Zhaozhou said, “I’ll go and investigate that old woman myself.”
Next day Zhaozhou went to the old woman and asked, “Which is the way to Mount Wutai?”
“Right straight ahead,” she replied.
Zhaozhou took a few steps.
The old woman said, “He’s a good monk, but off he goes, just like the others.”
Zhaozhou returned to the monastery and told the monks, “I have checked out the old woman of Mount Wutai for you.”
NANCY BROWN HEDGPETH’S REFLECTION
Years ago, before practicing Zen, I read an article about Dorothy Day, the Christian activist. She had recently died, and the article included one of her favorite poems, written by Rabindranath Tagore:
18I slept and dreamt that life was joy.
I awoke and found that life was duty.
I acted, and behold, duty was joy.
I cut those lines out of the magazine, tucked them in my wallet, and carried them around for years. They captured a longing I had for a life that was all of a whole — what I called at the time “being fully human.” In this koan about the old woman of Mount Wutai, I recognize my own seeking in that of the pilgrims: looking for some way of living that would seem complete, compassionate, and wise.
When I read this koan, I imagine an old woman who lived most of her life near a crossroads on the way to Mount Wutai. As a younger woman perhaps she raised children, cared for her husband and parents, cleaned, cooked, tended animals, and raised food for her family. Maybe, over her long life, she had witnessed many pilgrims who were seeking the mountain, seeking the Buddha’s wisdom, seeking some special experience that might change their lives so they could embody that wisdom themselves. Many had asked her, “Which is the way to Mount Wutai?” (Or: “Please help me; I’m suffering.”) How did she answer when she was a younger woman? Perhaps literally: “Go left” or “Go right”; after all, she knew which way led to the mountain. Over the years of her life, a stream of sincere seekers passed by.
We live our daily, ordinary lives right alongside of our seeking: “There must be more to this living; everything I care about changes, dies away; everything I wish were different doesn’t change enough or not in the right way.” We see — for ourselves — that getting things or money or influence doesn’t ease the longing; even being loved doesn’t ease the longing. And there is more: “Not only do those I love change and die but so do I.” And “What is this ‘I’?”
Over time, perhaps the woman who lived on the way to Mount Wutai matured and ripened into the very compassion and wisdom that the pilgrims were seeking. Instead of pointing the exact way she offered an experience that stopped their minds and raised a question: What does she mean by “Right straight ahead,” when the way is not straight, and why does she say it to everyone?
19One of the attractions of this koan for me is that the language of the old woman is so much that of my late teacher, Zen Master Seung Sahn. The teaching with which he ended every retreat and every letter was, “Only go straight, don’t know; try, try, try for ten thousand years nonstop; soon get enlightenment and save all beings from suffering.” This has everything we need: question, courage, faith, direction, compassion, and vow. The old woman of Wutai, from her experience, boiled it down to “Right straight ahead.”
How do we go “straight ahead, don’t know”? This question — any sincere question in the moment of asking it — returns us to a mind that is before thinking. In this moment of asking we and this universe are not split apart. How is it just now? What is the job of this moment? What a simple and portable practice!
I live on a farm, and we plant many vegetable seeds. Those tiny seeds contain an unbelievable force that brings together earth, nutrients, microbes, tilth, water, heat, gases, sunlight. When the seeds germinate, their tender forms move earth and rocks and go in whatever direction is needed to grow. As the plants mature and flower they offer us the oxygen and nourishment we need to live, as well as color, variety, medicine, and many other benefits. Finally, the plants make new seeds before they wither, decompose, and give back to the earth what is left. In fertile ground and with proper conditions their seeds will start the cycle over again.
I imagine this phrase “Right straight ahead” as a wonderful seed that the old woman of Wutai planted in the fertile ground of the pilgrims — the ground of not knowing, of being willing to ask. Her seed is still being planted and cultivated in us as we open to it. What an inspiration! May each of us create fertile soil and plant seeds beneficial to all.
What is the point of spiritual seeking, and what do you hope to find there? Have you ever overlooked the wise person right in front of you, clothed in a seemingly ordinary form?
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