Aleksandra Wenta
Aleksandra Wenta is an associate professor in Indology and Tibetology at the University of Florence, Italy. She holds an MPhil and a PhD from the University of Oxford and a Vidyavaridhi (PhD) degree from Banaras Hindu University. She was an assistant professor and a member of the founding faculty of Buddhist studies at Nalanda University (2016–20) and a fellow-in-residence at the Indian Institute of Advanced Study, Shimla (2012–14). Her research focuses on the history, ritual, and literature of tantric Buddhism and Saivism and Indo-Tibetan Buddhism, and she recently coedited the volume Tibetan Magic: Past and Present (Bloomsbury, 2024).
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The Vajrabhairava Tantra
Coming soon! This book will be available in September 2025. Enter your name and email below to be notified when this book is available for purchase.
A groundbreaking work on the little-studied Indian origins of an influential tantric Buddhist practice along with a fresh English translation.
The deity Vajrabhairava, or Yamantaka, is well known as the central figure of tantric practice in multiple lineages of Tibetan Buddhism and is also found in Chinese and Japanese Buddhism. Less is known about its foundational Indian context. The Vajrabhairava Tantra, dedicated to the buffalo-headed deity Vajrabhairava, arose around the eighth century and had a considerable impact on the formation of religious praxis in the medieval Indian Buddhist world. This book contains a translation of the Vajrabhairava Tantra from the recently discovered Sanskrit text and a comprehensive study of its elements, of its origins and Indian commentators, and of the history of its transmission to Tibet. The annotation to the translation excerpts all six Indian commentaries on the tantra found in the Tibetan canon.
One highly innovative contribution this work makes to the fields of tantric Buddhist studies and, more generally, to South Asian religions is the way it breaks down traditional disciplinary boundaries between tantra and magic. It shows that the genesis of tantric traditions cannot be reduced to a one-way influence of Hindu Shaivism on Buddhism or vice versa, but indicates a widespread “culture of magic,” a common “ritual syntax,” that crossed sectarian, linguistic, and socio-cultural boundaries, one that came to be significantly diminished in later Shaiva and Buddhist tantras.
The study comprises the first half of the book, and the second half is the translation, which explains the construction of the mandala, the magical applications of the practice, the extraction of the mantra, the visualization, and the preparation of the pata painting and the homa fire ritual. A dozen color plates illustrate Vajrabhairava in his Solitary Hero and other forms along with mandalas of five different lineages, keys for which are provided in the appendix.
The only previous study of the Vajrabhairava Tantra relied solely on Tibetan and Mongolian sources. By relying on the newly discovered Sanskrit manuscript, this new translation is able to correct numerous inaccuracies. Moreover, the earlier study included only three of six canonical commentaries on the root text incorporated here, passing over the key commentaries by Akṣobhya and Kṛṣṇācārya.
Learn more about the Studies in Indian and Tibetan Buddhism series.