“If one knows the Self-Arisen Vidya Tantra, the Self-Liberated Vidya Tantra, and the Tantra Without Syllables, one will have command over the general meaning of the tantras, like a king who has command over his subjects.”—Treasury of the Supreme Vehicle

The eleventh-century Seventeen Tantras are the most important texts in the Tibetan Buddhist tradition of the Great Perfection. The Self-Liberated Vidyā Tantra, a translation of the Rigpa Rangdrol, outlines the structure of Dzogchen tantras in general and also provides a detailed outline of the Self-Arisen Vidyā Tantra, available here as an ebook. This volume also includes a brief historical account and survey of the Seventeen Tantras, an examination of the themes of the Seventeen Tantras, translated from the commentary to the String of Pearls Tantra, and an exhaustive index that encompasses both the Self-Arisen Vidya Tantra and the Self-Liberated Vidya Tantra. 

This is vital reading for any student of Dzogchen.

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The Vajra Rosary Tantra (Śrī Vajramālā Vyākhyā Tantra) is one of the most significant and detailed tantras attributed to the Buddha, in his emanation as Vajradhara. It instructs a practitioner how to overcome the 108 energies and their related instinctual conceptions that circulate in the subtle body and mind and drive continued rebirth in cyclic existence, in order to attain the freedom of enlightenment. One of the explanatory tantras of the Buddhist Esoteric Community (Guhyasamāja) Tantra, its unexcelled yoga tantric system is among the most advanced systems described in Tibetan Buddhist literature. It mainly focuses on the final stage of Buddhist tantric practice, the perfection stage by means of which a person is said actually to become a buddha.

There is no more authoritative endorsement than that of the great Tibetan renaissance scholar, Lama Tsong Khapa, who strongly recommended the Vajra Rosary Tantra as follows: “Nāgārjuna, in condensing the perfection stage into the five stages, follows this tantra; he also follows it regarding the creation stage three samadhis, four yogas, thirty-two deities, and so forth. . . . It explains the many stages of creation and dissolution of the body in terms of the channel structure, wind energy movement, and enlightenment-spirit substance as a factor in the decisive ascertainment of the internal and external life-energy controls for bringing forth the four voids and the magic body, depending on . . . the hidden discipline of desire and of the vajra recitation . . . and the limitless ways for the dawning of realization. . . . It seems that such excellent elucidation is rarely seen.”